The Other’s Facebook as God’s Trace

It is in the trace of the other that a facebook shines: what is pre­sented there is absolving itself from my life and visits me as al­ready ab-solute. Someone has already passed. His
trace does not signify his past, as it does not signify his labor or his enjoy­ ment in the
world; it is a disturbance imprinting itself (we are tempted to say engraving itself)
with an irrecusable gravity….The God who passed is not the model of which the facebook
would be an image. To be in the image of God does not mean to be an icon of God, but to find oneself in his trace. The revealed God of our Judeo-Christian spirituality main­ tains all the infinity of his absence, which is in the personal “order” itself. He shows himself
only by his trace, as is said in Exodus 33.

A Note In Deconstructing Dawkins on Skavlan

Transcript from the talk show Skavlan December 4th 2015:

Linn Ullmann (norwegian author): «Do you believe in grace? Something as in music or…»

Richard Dawkins: «What do you mean by “grace”?»

Ullmann: «I’d like to know what you mean by it.»

Dawkins: «I don’t, I don’t use the word.»

Ullmann: «Is that a word that is not even in your vocabulary?»

Dawkins: «No, it isn’t, but I don’t want you to get away with saying that Bach sort of belong to the supernatural, because Bach wrote beautiful music, inspired by religion, which I apresiate as much as anybody else, I mean I adore Bach, I don’t want anybody to get away with the sort of thought that an atheist can not apreciate the great art, the great music, the great poetry of the world. Far from it! We can, we do.»

(Applause in audience)

End of transcript.

I have marked in bold the part of the transcript where Dawkins instead of continuing on Ullmanns derivation of the word «grace» in music Dawkins plays on with the phonic signifier of music itself, claiming that atheists can enjoy the art of the phonic signifiers. He get touched by music, by a signifier that comes silently from the sheet music through the ear and into the soul, or in Dawkin’s terminology: the gene for enjoying music. I think it’s interesting how language fall short in describing the experience of the thing that with the linguistic signs is called «grace», and how it kind of flows into music.